Contemporary furniture, since 1956.

The workshop opened in 1956 in Mrkonjić Grad, in Bosnia and Herzegovina. Dragoljub Galić ran it, and he built a name for careful, well-proportioned work — first at home, and soon for clients in Germany. His rule was simple: every detail has to earn its place and answer to the whole piece.

His son, Miroslav, took the work on and spent decades widening it. He kept the discipline of solid-wood joinery but learned the rest of the trade alongside it — veneered surfaces, engineered panels, the cabinetry systems a modern interior is actually built from.

The third generation runs the workshop now, in the same town, to the same standard. We choose our materials piece by piece — solid timber, natural veneers, high-grade boards — and judge every one of them the same way: does it hold its shape, does it sit right, will it still look considered in twenty years.

We are not interested in a wide catalogue. We would rather make the same few things well, year after year, and let the furniture prove itself slowly. That continuity is the whole point of the place.

We work across the full range a modern interior asks for, and pick each material for what it actually has to do. Most of our cabinetry is built on high-grade engineered board — quality particle board and MDF — which stays flat and true and gives the rest of the piece a dependable base.

Where a surface takes harder use, we turn to quartz and compact board: they shrug off heat, moisture and scratches, and they hold their colour. Solid wood and natural veneer do the opposite job — they bring the warmth and grain, the parts of a room you want to touch.

We also build with natural stone where a piece needs weight and presence, and with glass where it needs the opposite — tempered, coloured or fluted, to let light through and break it up. None of these sit on their own; each is chosen to fit the structure and surfaces around it, so the finished piece reads as one thing rather than a set of materials.